A Sudden Fortune

After a short break, I’ve started tackling my fifth novel, ‘A Sudden Fortune’. 

Abandoned in her youth, Claire Hastings has inherited a fortune from a guardian who rescued her from a convent. The riches are hers with one caveat – she must share the fortune with the impoverished Marquess of Kingston.

Of course, the new-found wealth is more of a burden than a blessing for a girl who has been a social pariah all her life. When the aristocratic family that abandoned her appears to claim the fortune, Claire’s troubles begin. A half-brother, step-brother, father, and a dowager Countess insinuate themselves into her life, and she discovers her origins and the reasons why she had been placed in a convent at an early age. 

Nelson Ridley had been holding his impoverished family together – just barely. With a mother, sister, and four nieces and nephews to support, he remains on the outskirts of society, earning a living writing stories for several popular periodicals. 

The Ridley household, with their unexpected fortune, find themselves thrown into the whirl of the Season, and Nelson is suddenly one of the most eligible bachelors in London.

None of the beautiful, wealthy debutantes tempt him. His heart is captured by the friendless, socially awkward woman whose inheritance has changed their lives. They become fast friends, and each yearns for more. . .

A Rogue’s Progress

An enemies-to-lovers Victorian romance. 

She’s a debutante searching for a husband. He’s a gambler chasing redemption. When their worlds collide over a family inheritance, sparks fly, secrets unravel, and desires ignite. In a game of love, luck, and betrayal, who will come out on top—and at what cost?

After six long years of schooling, Eleanor Bucknell is more than ready to enjoy a London Season and a chance for flirtation, love, and marriage. There’s just one problem—her impulsive and greedy brother has gambled away the family properties and is bent on arranging a prosperous marriage for her. With her plans thwarted at every turn, Ellie determines to make her own way in life, all the while plagued by thoughts of the rakish son of an earl who now owns the Bucknell property.

Casper Whittaker is a gambler and a rogue who feels no remorse when relieving fools of their property at the gaming tables. Besides, he is on a mission to redeem himself in the eyes of his father for his role in the tragic event that took his older brother’s life. Winning the Bucknell properties was the chance he needed to make a new life for himself—even though the plight of the feisty young debutante tugs at his heartstrings. 

Ellie never expected her greatest adversary to be the one man who could steal her heart. When a fiery clash of wills ignites between her and Casper, their undeniable attraction becomes impossible to ignore. But with her brother’s devious schemes threatening to tear them apart, will love be enough to overcome the odds?

This is a closed-door, sweet romance.

Popularity of the Arranged Marriage

Historical romance novels often feature wonderful tropes. The Arranged Marriage is one of my favorites, where characters are forced into a marriage for political or social reasons, leading to unexpected love.

There’s something about women being forced into marriage in times past that I find equally horrifying, angering, and fascinating.

It makes one wonder what we would do if we had so little autonomy that another person could direct our lives in such an egregious way.

One of the reasons I like this trope in historical romance is that the story arc can go in so many different directions. The heroine can begin hating her husband and gradually fall in love with him. She can try to escape the marriage by running away, aided by her true love. Some other noble hero can swoop in and spoil the marriage plan by rescuing her.

The heroine can try somehow to invalidate the marriage or foil her parent’s plot by making her fiancé withdraw from the contract, as was done in the latest season of Bridgerton. Cressida’s move to discredit herself was brilliant.

I recently read a fun historical romance in which friends of the prospective bride and groom foiled two different prospective marriages. That was a very unusual take on this very popular trope, and a lot of fun.
Of course, I had to try my hand at this. So, in my second novel, Marry Me, Duke, I decided that the arranged marriage would be orchestrated by the heroine, Ginny, rather than an authority figure. She arranges her own marriage in order to escape from a life of forced caregiving.
And, of course, there is resistance, and problems arise. A love between the couple grows, and there is a happily ever after. Marry Me, Duke is now on Kindle Unlimited; if you like this trope, you should check it out.

Image AI made by MidJourney

It’s Finished – Looking for reviewers

Hello, lovely readers.
I have just completed my third historical romance novel. It is an Impossible Love trope.

If anyone is interested in being an ARC reader, here is the signup sheet.
Summary: An Unexpected Lady

She has a history to discover, and he has a mystery to unravel and a family to protect. Their love is thwarted by the sins of the past. A shy and awkward beauty unsure of her past, Charlotte Winterbrooke struggles to resist the man she is falling in love with. She will not commit to him until she finds out the truth of her birth—a scandalous truth that will destroy all chances of remaining in society and making a good marriage. Hopelessly in love with the bumbling beauty who he is sure is out to destroy his godfather’s family, Maxwell Shockley is in a losing battle to protect his loved ones and resist the beguiling temptress who he can not live without. With blackmail, scandal, and secrets surrounding them, can Charlotte and Max protect their deepening love and have a future together?
This is a fade-to-black romance with a Spice level 1.
TW: contains references to early childhood abuse.

SIGNUP SHEET

Happy Reading

What makes a relationship romantic?

Trust: Trust is the foundation of a romantic relationship. It’s essential to feel secure and confident in your partner’s commitment, loyalty, and reliability.
I recently finished a Cara Devlin novel, ‘Nature of the Crime’, and one of my favorite scenes came near the end, where the main male character rescues the female main character. Even though it wasn’t expressed, I had such a strong sense that she wholeheartedly put her trust in him. He would find a way to help her, and she was not surprised when he did. This is a point in most romance novels that I find hopelessly romantic.

Excerpt from a deleted scene Marry Me, Duke

“He slipped the ring onto her finger, sealing their promise and giving her a light kiss, and then the pressure was gone, and her lips were cold from his absence.
As she walked out of the chapel, hand in hand with her new husband, he glanced down at her with that same impassive and steady look in his eyes. “It’s for the best,” he said, perhaps seeing her doubt. “I promise you. We will make it work.”
He sounded as though he were trying to convince himself, and deep within her being, she knew that Hugh’s love for her was fragile—if it existed at all. In that instant, a chilling realization struck her, unraveling the dreams she clung to—she was on the brink of a grave mistake.”

A Writer’s Corner – Writing Love Scenes

The love scenes are the most difficult scenes to write. In my books, I thought I handled the emotional part of desire very well but did not handle the Instalove and obsession well at all. This is so much a part of the romance genre, and it has always felt very unconvincing to me. It is very juvenile, yet it is so popular.
My characters are more ‘mature’ in that they don’t fall in love immediately. They are attracted, intrigued, and often baffled by this. There is a lot of wariness and uncertainty until the very end.
It’s hard to identify the moment when real love happens. We don’t even see when that happens in real life, so how can we capture that moment in a novel?
There’s a scene in my most recent novel, Marry Me, Duke, where the female main character all but begs her new husband to make love to her. That was such an enjoyable scene to write. For one, you don’t often see this in historical romance novels. Her lust and curiosity seem very real to me—as is his rejection. When they finally do make love, she takes the lead at first. And after that point, he gradually falls in love with her. That, to me, felt more realistic than Instalove/lust would have.

A Writer’s Corner – The Publishing Industry

The publishing industry has been missing the mark in different ways for a very long time. This was more understandable in the past. Given the printing costs involved and the warehousing of unsold books, taking a chance on a new author or genre was risky. Now, with print-on-demand and e-books, there’s little reason to be so cautious.

There is no reason not to watch Indie authors and ‘try before you buy’.

Many writers feel that there is a stigma attached to being an Indie author. Sadly, many readers still believe that if you aren’t published by one of the big publishing houses, you aren’t a legitimate writer.

I seek out Indie authors on Amazon as long as they’re enrolled in KU. I hope others do the same. That said, with the ease of self-publishing, readers have a lot of matter to sift through and it may be difficult to choose a new author.

This culture of social media, branding, and putting oneself on display does not help matters. That an author is lauded on social media does not mean, that the writing is good or compelling. I have picked up books that have few to no ratings and found them wonderful to be wonderful hidden jewels that have no way to shine.

A Writer’s Corner – Should a person who is not a romantic write a romance novel?

An editor in the R/writing sub Reddit asks the intriguing question, “Who are you writing for?”
They went on to say that they’re not writing for themselves because their goal is for other people to read their work. I totally get that. And OP goes on to say that they’re not writing for others either because they don’t want other people and those opinions to affect their work. I get that, too.
“However, without a clear picture of for whom I’m writing, I am still writing.”


That’s the thing, isn’t it? Sometimes, we just don’t know what motivates us to write. But this post got me thinking.
Initially, I started writing purely for myself. I needed to get all of these characters and scenarios out of my head, so I thought, why not publish them? It’s an exorcism of sorts.
Then I discovered that the process was a lot of fun—more fun than doing my other hobbies. It became the most enjoyable use of my spare time.
I love developing the characters, getting into their minds, and building their world.
Then, I published my first book and discovered the world of self-publishing. I was immediately resistant to marketing and branding. I hated the idea of using social media to promote my book. I told myself that, though sales would be nice, the lack of sales wouldn’t stop me from writing. But I found myself checking every day to see if the book had any traction at all.

I found that as much as I like writing, I absolutely loved the idea that someone else might enjoy my book as much as I enjoyed writing it. I found that I wanted the reader’s opinions as much as I feared those opinions.
It became a balancing act. I have to confess that I altered my writing somewhat to fit my reader demographic. Historical romances traditionally have a happy ever after—I know that. I’m too much of a realist to want or to even buy into the happily ever after. For the most part, they also have alpha males as the hero. This makes me think that maybe someone who is cynical by nature shouldn’t be writing romances. I’m not enamored of the alpha male trope. Nuanced male characters are much more intriguing. I love the flawed heroes who show their vulnerability: the ones overcoming family baggage, the ones who are scarred by war and other trauma. I deep dive into the feelings.
So, while common tropes frame the narrative, my characters don’t quite fit into the trope. My female characters are bolder and somehow more self-assured—even those who are shy have confidence in some areas of their lives.

The OP in the sub-Reddit ends his post by asking again who I should be writing for. My answer would be to write for yourself, and hopefully, you will find your audience.

The love of the historical romance

My love for Regency romance novels – and writing them – is a tribute to the genre’s ability to provide an engaging blend of history, romance, and escapism. The elegance of the historical era, be it Regency, Victorian, or any other, coupled with strong characters and timeless love stories, creates an experience that I continue to find enchanting and enduring.

Check out ‘A Misalliance with Love’ and ‘Marry Me, Duke’ where you can enter the enchanting world of the Victorian debutant. https://amzn.to/3RVBJLD

On Valentine’s Day, Marry Me, Duke will be released to Kindle Unlimited!

Happy Reading!

Image generated using AI – Midjourney.