I’m working on my third novel, An Unexpected Lady, and asking myself – what is the hardest phase of writing a historical romance?
There are struggles with every single step, but for me, the very beginning is by far the hardest. I have an idea. I have the general story arc. I’ve been world-building for a while. Now I have to pull it all together into something cohesive and outline each chapter. What is the purpose of the chapter? What are we supposed to feel? Why am I making it so complicated?
All my thoughts end up in such an untidy collection of dialogue, description, and backstory. I have to ignore the fact that it’s a huge mess that I will come back to and make sense of. It will be refined and made into something readable, but it seems so daunting at this stage. It feels endless and chaotic. Nothing is in the right sequence at this point and I can’t even determine if the chapters are superfluous or not – if I’m deviating from the original storyline. This phase is all about ideas. And they are so very rough that it looks unlikely that it will ever become a readable, much less enjoyable.
Then, when I have each chapter outlined and a jumbled mess of words serving as placeholders, the second phase starts. This is the most enjoyable because it’s where I take each chapter and make it into something I like. With each read through, I allow the quirks of personalities to come forward and get ideas about external factors and minor characters. I delve into feelings and personality quirks.
And when all that’s done, in the final draft, I try to create prose that I’m proud of – to build ambiance, nuance, and emotions. There are a million ways you can rewrite something, and finding just the right way is so frustrating but it’s also so much fun – even when the words don’t come easily.